Mission Oak Finish
©2000 by Jeff Jewitt
Not reproducible in any form, written or electronic, without
permission
The traditional method
of finishing oak in the mission or Craftsman style involved
exposing the furniture to very strong ammonia fumes in an
airtight chamber. Ammonia fuming was preferred by many of the
original makers like Stickley because it colored the glassy ray
fleck cells as well as the softer wood, establishing an even
tone throughout the wood. An alternative method which yields
excellent results is based on the steps below as is the method
employed by many small shops producing Mission Furniture as well
as larger factories like Stickley.
These finishing steps also introduce you to the technique of
applying a glaze over a dyed surface. This techniques allows for
subtle manipulation of the overall color by choosing different
glaze colors. We'll suggest starting formulas, but feel free to
experiment.

Preparation
Proper surface preparation is of utmost importance in
finishing oak. Sand the wood to 150 grit and pre-raise the grain
with distilled water. Sand with 180 grit when dry and remove all
the dust from the pores. You can use a brush or vacuum, or
blowing the dust off with compressed air. The pores must
be clean and free of all sawdust before proceeding so check the
surfaces carefully. The steps below refer to the bookcase
pictured at right.
Step One - Staining
You can leave the wood unstained if you wish, but I like to
apply a dye to establish the predominate undertone of the piece.
This can range anywhere from a light tan colored dye to a dark
reddish brown. It's important to experiment on scraps and carry
the finish all the way to the end. This is the only way to tell
if the color of the dye is right. For the bookcase pictured
above, I used a mix of 1 part TransTint®
Medium Brown and 1 part TransTint®
Dark Mission Brown. I mixed 1 ounce of this mix
to two quarts water and applied the dye with a gravity spray
gun, but you can use any technique you wish. Just apply the dye
by flooding all surfaces and blot up the excess. Let it dry 8
hours before scuff sanding lightly with maroon
grade (very fine) synthetic steel wool. When the piece has dried, you may notice a
lighter color to the pores. This is normal when using water
dyes.
Step Two - Sealing
Apply one coat of a 1-lb. cut shellac. You can use any colored
shellac you wish, either garnet, amber or light. For
convenience, you can order SealCoat pre-mixed 2 lb. cut shellac
or our 5 lb cut pre-mixed extra pale dewaxed shellac. Scuff sand
after the shellac has dried with 320 grit paper. Vacuum all the dust from the
pores before the next step. We recommend shellac for the "punch"
it gives the dyed oak, and works very well to isolate it from
the glaze used in the next step.
When doing an all water-base finish you can substitute thinned
water base finish or Target UltraSeal water base shellac for
the above solvent based shellac. Thin them with equal
amounts water for use as a sealer.
Step Three - Glazing
The importance of this step cannot be stressed enough. One of
the qualities that makes oak attractive is its distinctive pore
structure. By emphasizing these pores with a dark glaze,
the true Mission effect is achieved. With solvent based
finishes like lacquer, shellac and varnish, use an oil-based
glaze. For water base products, we recommend using a water base
glaze.
Apply the glaze with a natural bristle brush, working it across
the grain to make sure it gets into the pores. Wipe the excess
off with a dry rag. If the color is too dark, or it dries
quickly, apply some solvent for the glaze to the rag to help
remove the glaze. Let the glaze dry according to the
manufacturer's instructions. If you spray lacquer like I did,
you can spray the lacquer after about two hours dry time with
the oil base glaze. For other finishes, I recommend at
least 24 -48 hours. With the water base glaze and water base
topcoats, one hour is all that's necessary, but if you added
extender, adjust the dry time to as much as 6-12 hours. To check
if the glaze is dry enough to topcoat, wipe it with a dry cloth.
No glaze should come off.
When working with the Behlen Shading and Glazing Stain, the
instructions on the can indicate that you should topcoat the
glaze within 6 hours to insure lifting will not occur. This
is only if using solvent based lacquer as a topcoat. If you
use shellac or varnish as a topcoat let the glaze dry
thoroughly, usually 24-48 hrs.
Step Four - Sealing
A mission finish on oak looks best with as little finish as
possible, so I applied 3 thinned coats of Behlen satin
Qualalacq, sprayed with an HVLP gun. If you're using varnish,
one or two coats of Waterlox varnish are fine. Two or three
coats of shellac can be used and makes an attractive finish. 1
or 2 coats of a water based finish can be used*, but it's a good
idea to lay down a coat of dewaxed shellac over the glaze if you
use an oil based glaze. If you use a water based glaze, you can
apply any water base finish over it.
* For hand or spray application we suggest
General Finishes
High Performance Polyurethane.
Step Five - Waxing
Apply a paste wax to the furniture after the final coat is
dry if you wish. Use a dark wax like Antiquax Brown and
apply with 0000 steel wool. Buff the wax as soon as it hazes
over to leave a soft sheen.
Other Options
If you are interested in a very
simple, all hand application guide to Stickley Mission Finishes,
click
here.
Got a question? E-mail us at
info@homesteadfinishing.com

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www.craftsmanplans.com
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